'Ayan told Karan he blundered leaving Dharma.'
Aavesham is smooth in its storytelling and leaves a chilling aftertaste, thanks to its one-of-a-kind anti-hero, applauds Arjun Menon.
Housefull 5 may not be getting rave reviews but it's got the thumbs up from audiences.
Ranbir Kapoor's Animal might have become a huge blockbuster, with people loving and hating it in equal measure, but that wasn't the review you were most keen about. It only makes third place among our Top 10 Most Read Reviews of 2023.
Baahubali has generated an enterprise of television spin-offs, video games, graphic novels and what not, but a memorable Game Of Thrones it is not, observes Deepa Gahlot.
'...and say that if I don't wear a sari, they will unfollow me.' 'Today, if I have 2.9 million followers on Instagram, out of that, the majority is from the South.' 'Telugu has given me the most fame and money.'
Sunil Grover and a perky Adah Sharma somehow salvage Sunflower 2, observes Deepa Gahlot.
'You are an action hero, you know what kind of shoes are best for running and physical work. If you can help us with the design or suggest innovations, we will definitely implement them.'
How long can you look at Ajith sitting with a machine gun on his lap? asks A Ganesh Nadar.
Even though the story has nothing much to say beyond its central conflict, the film is consistently poignant and, in one scene near the end, it leaves you dewy-eyed, observes Mayur Sanap.
Prabhas may be the face of Kalki 2898 AD's heroics but the real bang for your buck is delivered in Amitabh Bachchan's indefatigable energy providing Kalki's biggest wolf-whistle moments, applauds Sukanya Verma.
Chandu Champion is Kartik Aaryan's most ambitious work so far and the actor's muscular gusto is undeniable. There's visible fire in the man's belly but not enough soul, observes Sukanya Verma.
If this were a French farce, nobody would have batted an eyelid if the father of the groom and mother of the bride fell in love and wanted to marry. But here, some crude comedy is generated with a dash of melodrama, feels Deepa Gahlot.
Nayanthara: Beyond the Fairy Tale ends up being a flashy, aspirational celebrity lifestyle doc that is aimed for an evening of popcorn-fueled fan tribute entertainment, observes Arjun Menon.
Safed is a lame attempt at social commentary, with terribly dull and thoughtless direction, observes Mayur Sanap.
Forget comic chops, you'll not find an ounce of camaraderie between Akshay Kumar and Tiger Shroff as they go about firing ammo and flexing abs at a zombie-like army for nearly three excruciating hours of this noisy drivel, observes Sukanya Verma.
As an audience, we deserve better! exclaims Mayur Sanap.
'Your family doesn't want you to come to this field because there's no direction, no formula.' 'It's not as if your career is settled and you will get work consistently.'
'For me, the real victory is when people buy a ticket, sit in a theatre, and connect with the story.'
Make time for this one, you will be in for a pleasant surprise like I was, endorses Mayur Sanap.
Shaitaan's wickedness may be its calling card but relies on age-old formulas to do the trick, observes Sukanya Verma.
Malayalee From India is trapped within its self-serving corniness and refuses to break free in the process, observes Arjun Menon.
Rohit Shetty gets so busy giving us a social message that he forgets to add a 'tadka' -- also called 'entertainment' -- to Cirkus, sighs Syed Firdaus Ashraf.
'Pahlaj Nihalani came to my rescue. There was no Instagram in those days so I didn't recognise him.' 'I almost fainted when he told me he was Pahlaj Nihalani, the producer of Ilzaam, the hit film that had just made Govinda a star.' 'I told him I was a model and an aspiring actor, and he responded, "You have an interesting face. Come and meet me in the office tomorrow".'
Original's goodwill, natural bonhomie amongst the actors and wild card entries, Stree 2's spirited return sure has its high points, notes Sukanya Verma.
Dhanush deserves credit for imagining a visually rich, edgy action thriller which is enhanced by a fascinating background score from A R Rahman, observes Divya Nair.
The simplicity of a spontaneous sisterhood, women getting along with other women, feeling alive in each other's company makes Dhak Dhak a gentle celebration of womanhood, notes Sukanya Verma.
Bloody Ishq comes off looking even more shoddy and ill-conceived when there is so much superior content to entertain the horror buff, observes Deepa Gahlot.
The Broken News 2 is worth watching because of Jaideep and Shriya's fabulous acting, recommends Namrata Thakker.
There is startling accuracy to Dibakar Banerjee's portrayal, notes Sukanya Verma.
As much as one would have liked a glimpse into the lady's culinary excellence, Tarla acquires its endearing character in Huma Qureshi and Sharib Hashmi's harmonious display of doting husband and wife, observes Sukanya Verma.
With his killer smile, the sex symbol image, Robert Redford would go beyond just being an actor, remembers Aseem Chhabra.
Quite a few films didn't do well, but particularly disappointing were the films that came from the south.
Chhota Bheem: The Curse of Damyaan is a fun movie, its adventurous story and lovable characters make it worth watching with family, notes Riddhi Soni.
Yeh Meri Family 3 is developing into a Wonder Years kind of coming-of-age comedy that Indian viewers can relate to, observes Deepa Gahlot.
'It is so important to have co-stars who don't think about their own performance only while creating something special.'
Emily In Paris Season 4 offers more drama, high fashion, scandal and chaos to keep you entertained, observes Divya Nair.
It introduces random characters, goes on several wild goose chases and is incapable of holding onto any thread of the plot, sighs Deepa Gahlot.
Angry Young Men gloats in Salim-Javed's well-known attributes yet never gains access into the process or passion behind one of Indian cinema's greatest chemistries at work, observes Sukanya Verma.
You do get your money's worth simply watching these girls do what they are best at: Entertainment, feels Divya Nair.
